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Showing posts with label John Barlow. Show all posts
Showing posts with label John Barlow. Show all posts

Thursday, 1 March 2012

John Barlow interview: Hope Road

Hope Road by John Barlow
95p | $1.50 | £2.22 | $2.99

John Barlow was born in Leeds, West Yorkshire, but now lives in Spain. He won the Paris Review Discovery/Plimpton Prize for his first published work, and since then has published fiction with HarperCollins and non-fiction with FSG. His books have been translated into six languages. His website is at: http://www.johnbarlow.net/

Can you sum up Hope Road in no more than 25 words?

HOPE ROAD is a psychological mystery. It’s about the son of a career criminal who’s been ‘straight’ all his life, but who gets involved in a murder investigation.

What's unique about it?

It’s an amateur sleuth story with a police procedural running in parallel. But I’ve also tried to explore the way that crime affects human relationships, in particular the relationship between the sleuth (the son of a career criminal) and his girlfriend (a young police detective). That’s the ‘psychological’ element, a term I adopted after an early review pointed out the character-driven nature of the book.

What are your expectations for the book?

My aim is to take the crime family at the centre of the novel and write a whole series of novels. It’s set in Leeds, and I’ve had some very gratifying comments about how I’ve evoked that city. My dearest hope is that someone will say, ‘It’s a bit like Kate Atkinson’s STARTED EARLY, TOOK MY DOG, but grittier, and it delves a bit deeper into the soul.’

What did you learn while writing it?

On the practical crime side I learned two main things. First, I discovered that my uncle John had been an arms dealer, and was found dead on a flight from Amsterdam with his throat cut. The UK police were after him for the theft of munitions from the British army, and he was suspected of various other arms-related crimes. That, of course, partly explains why I am so interested in the issue of crime and families... Then, I was lucky to get a contact which eventually led me to a real money counterfeiter (HOPE ROAD involves a subplot about fake money). That was really great research.

Do you bear the reader in mind when you're writing? If so, how does that affect the way you write?

I try and write in such a way that the reader never notices that there’s an author there. I want to story to be told as naturally as possible. I do loads of rewrites, each one trying to make the prose simpler and smoother. I try and become a reader every time I return to the text, coming at it from different angles, re-reading in different ways.

Can you provide a youtube link to a song you'd like to be the title track to the movie adaptation of your book?


And So It Goes, by Billy Joel

...so I will choose to be with you
As if the choice were mine to make
For you can make decisions too
And you can have this heart to break.

And so it goes and so it goes
And you're the only one who knows...

HOPE ROAD is really about why we lie to those who love us most. It’s about the pain but also the normalcy of deception. A love story, I guess. ‘And So It Goes’ perfectly captures the underlying melancholy of the main character.

Who would you like to direct the film adaptation?

Michael Winterbottom

To what extent do you view writing as a business?

It’s my job. I write my own books, and I also work as a ghost-writer (financial thriller at the moment!). In addition, I do some journalism and also work as an academic editor and occasional translator. So, one way and another writing is my only business. Writing my own fiction is special, though; I could stop all the other stuff tomorrow, but not my own writing.

How much do you read?

I read and/or write all day, every day. The only respite is that I do the occasional feature for a food magazine, and these involve travelling to report on some food producer or other. Reading for pleasure? Less that I used to, but a fair bit. More crime than anything at the moment.

What are your ambitions for the next year?

I aim to finish the follow-up novel to HOPE ROAD, which will explore the background to my uncle’s arms dealing activities more deeply. I also have a YA novel. I’m probably going to sign with an ambitious new e-publisher for the YA book, which will be a new and exciting departure for me.

What are your long-term ambitions?

My primary aim is to see how the ebook market develops and to try and position myself somewhere within it. One way or another, I’ll be staring at a screen all day, that’s for sure!

Hope Road by John Barlow
95p | $1.50 | £2.22 | $2.99

Sunday, 3 April 2011

Joe Florez interview: What Ever Happened to Jerry Picco?

What Ever Happened To Jerry Picco? by Joe Florez

Joe Florez is the crime-writing pseudonym of British writer John Barlow. Check out joeflorez.net for more info on Joe, John and Jack Storm.

Can you sum up your book in no more than 25 words?

A noir fairytale.

What was your motivation for writing it?

It started out as a short story, one of a set of Grimm’s fairy tales re-written for adults (the collection was going to be called GRIMMER). Based loosely on SNOW WHITE, I did it as a noir detective story, and it involved a midget pornographer who goes missing. Somehow everything just clicked, and the story grew into a novel. What I also found (to my delight) was that despite the slightly unusual plot, a good mystery is simply that: something the reader wants to follow and see resolved. I started off writing a vaguely ‘literary’ story, and it ended up as pure noir.

How important is a good title?

Very important. WHAT EVER HAPPENED TO JERRY PICCO? is supposed to evoke the glamour of Hollywood (the book is set on the West coast of America) and also to suggest that its plot, like that of WHAT EVER HAPPENED TO BABY JANE?, is about a faded movie star.

How important is a book's central character?

Crucial. My central character is the PI, Jack Storm. The novel is narrated by him, and I grew to enjoy writing in his voice so much that I immediately started thinking of new plots, just so I could stay in character!

If you had to re-read a crime novel right now, what would you choose?

James Ellroy’s THE LLOYD HOPKINS TRILOGY. I read them about a decade ago in a ridiculously short period of time (they’re all 600 pagers). I’d get in from work and read until bedtime, like a loon.

What makes you keep reading a book?

I dunno. I have failed to finish quite a few very well-considered books, despite repeated attempts; others just fade away. As I get older I think plot has become more important and the lushness of the writing perhaps less so. I’ve also learned not to feel guilty about skimming the boring bits, which is good if you’ve lost faith with a writer’s style but are still hooked by the story.

What are your views on eBook pricing?

Well, my first three books (non-crime) have all come out first in stupidly expensive hardbacks. $25 for a book these days? E-books are going the other way, with a glut of very cheap books on offer. I’ve priced my own first foray into e-books at 99cts, after reading blogs by Joe Konrath and others, and trying to reflect the pricing of books by big e-book writers like Amanda Hocking and John Locke. My feeling is that e-books will eventually fall into several price bands: free-to-cheap for those trying to find an audience (or deliberately using price to grab readers’ attention); $3-5 for most e-books (inc. successful indie publishers and the backlist of mainstream publishers); $5+ for new releases and top of the list stuff. Over all, as a buyer, I’d say $5 is about as high as I’d be happy to go for a digital book.

How do you feel about anyone being able to publish?

It’s great. It’s empowering on many different levels. It’s also fun. With this book, for example, I didn’t have to schlep it around to publishers. With so many things getting e-published there’ll be the need for more filtering of all the stuff out there, more review sites and so forth, more shortcuts so readers can get to their preferred kind of material quickly. I guess that’s exactly the function (or part of the function) of a blog like this one. I don’t think there’s ever been a better time to be a writer. As for publishers, I think they’ll catch up pretty quick. The e-book community loves nothing more than hailing the death of the legacy publishers, but businesses of such complexity and excellence won’t just die. The really interesting question is what will happen to agents...

What Ever Happened To Jerry Picco? by Joe Florez